Cranes, London sky, Samuel Palmer

From the train on the way up to London, I see two cranes side by side on a building site. So much construction work is going on that the whole scene might be described as a crane-scape. But there is a companionship between these two cranes which look like fishermen enjoying each other's company.

From the train leaving London, the sky, for a moment, contains every aspect of silver and pewter shades and highlights. Then spaces between the buildings reveal the source of light in the last pink streaks of the setting sun with a glowing coal at the centre.


Samuel Palmer's magical watercolour, Cornfield by Moonlight wuth Evening Star, stands out in my memory of the exhibition, Vision and Landscape, at the British Museum, which I visited yesterday. It was painted at Shorham in north west Kent, where the painter lived between 1826 -1830, and manages to capture the mysterious beauty of the countryside by moonlight. There are stooks of corn, a shepherd and his dog, and wooded hills in the background; and never for a moment has the painting anything of the chocolate box about it. It is infused with a golden glow, and the figure of the shepherd succinctily suggests the end of a long day's labour in the fields.

Lampost, silver birches, sudoku

A lampost bobbing up and down and swaying behind a hedge like a drunk, is what I see. As I draw near to the corner I realize that it is a street lamp being lowered into position by two workmen.

Silver birches seen from the train, their trunks bright in the sunlight, conrast with the dun, winter fields and pearl grey sky.

In the train, the man sitting opposite is intent on a sudoku. His pen, hovering above the puzzle, traces in the air tentative lines of numbers. His eyes are fixed in concentration. I know how he must feel for I am, myself, addicted to this game.

Oysters, Shakespeare, milk float

Half a dozen oysters and a glass of dry white wine for lunch, with a view of the junction of Sevenoaks High Street and London Road as people hurry past the restaurant window.

I return to readingCymbeline. Even the most routine dialogue displays the Bard's genius. At random, I note: Posthumus to Iachimo- "This is but a custom in your tongue. You bear a graver purpose I hope." In other words: "You can't be serious!"

Waking in the early, early morning to hear the calm sound of an electric milk float accellerating up the hill.

Willow, more gulls, Alec Guiness

Recently, I have noticed the greeny grey tufts of willow catkins in the front garden of a house I pass. I read in my tree book that each catkin consists of a collection of tiny flowers. I shall look more closely tomorrow.

Whether it is because of cold weather on land or, as Clare suggests, bad weather at sea, the seagulls, they are acoming. First it was just a couple; the next day I saw several circling high above the Grove; today, I see a substantial flock wheeling north above Mount Sion.

The late Alec Guiness showed himself to be a natural noter of beautiful things in his common place book, largely devoted to quotations from his reading, but sometimes including his own observations. On occasions, his anitipathies surface. In one entry he writes: "I like the sound of many things, but not the barking of dogs, the road drill or the hovering, inquisitive helecopter".

Chrysanthemums, hurrying clouds, sea urchins

Curly green chrysathemums reside at one end of the sitting room and white at the other.

This afternoon the sky brightens, and the north wind blows fleecy yellow clouds in a southerly direction - a crowd of clouds hurrying across the sky.

Sea urchins, which some people eat raw and others, as a sauce to accompany pasta are, I see, to be farmed in Scotland alongside salmon.

The cold, raven, machine noises

It hasn't been really cold for a long time, so I enjoy the biting wind on my face above my thick, woolen scarf and below my beret basque, and I especially like it when you exchange the cold for a warm house.

A raven, slow and black from beak to tail, after a lumbering flight, alights on a larch tree in the Grove. Immediately, a squirrel and a magpie, which have been minding their own business, leave the young tree to its new occupant.

Have you noticed how machines - pedestrian-crossings, trains riding over sleepers, for example - seem to have a language of their own? Fitting words to their rhythms can be amusing, but are they always saying the same things? Today, my printer repetitively intones:" rhubarb, rhubarb, rhubarb, rhubarb, rhubarb- rue", with emphasis on the final "rue", like the refrain of a nursery rhyme. I am sure that I have heard it say other things in the past, but cannot now recall what they were.

Seagulls, sunbeams, buds

This morning, I see two seagulls flying above Mount Sion. They follow the line of the road and then veer off in a north easterly direction. A sign of cold weather, they say, when gulls come inland. The seabirds look as though they know where they are going.

Watching the sky at this time of year, it isn't exactly sunbeams that catch the attention, but the way the pale light touches sparse clouds, creating perspective lines, which seem to converge on the sun.

I like the defiant way the tight, armoured buds of rhododendrons and camelias, appear in the autumn, and hold themselves through the winter in readiness for the spring.

Leaves sucker, pink air, rosehip

Technical progress in the Grove: instead of hand-held machines, which blow the leaves into piles so that they can be shovelled into trucks for removal, there is now a giant vacuum cleaner with a huge matalic hose, which sucks and chews up the leaves before spewing them into a container.

The sun sets over the High Street. At a critical moment the air itself seems to become pink.

A rosehip, with its dry sepal atop the orange and green, egg-shaped fruit, seems to glow like a lamp as the light fades.

Plane leaf, through a window, sauvignon blanc

I bring home the leaf of a plane tree which I will photograph. In the meantime it lies between the pages of my atlas because of its tendency to curl at the edges.

Passing an office window I see a girl laughing at a computer screen.

At lunch, a glass of sauvignon blanc, delicate and understated in the French (and it is from the south west of France) rather than in the fruity, boastful, new world style.

Sun, leaves, trails

Between some houses the sun sets like the tip of a red lollypop.

In the Grove, everything is still in the late afternoon sun. The dead leaves lie still on the ground and hang motionless from the trees, as though they are waiting for the wind.

Two planes crossing the evening sky, too high to be visible, draw parallel lines with their vapour trails.

Beavers, potato crisps, sunset

Castor fiber, is the latin name for the European beaver, which I learn is being reintroduced to the British Isles. In April 2001, the Kent Wildlife Trust, according to Fauna Britanica, flew in a group of these dam-building , amphibious rodents , a gift of the Norwegian government. The aim is to carry out a five-year field trial, with the animals released into a fenced reserve of about 50 hectares. While welcoming the move, the same book says that, if beavers got out of control, they could cause immense damage. One animal can, apparently, fell a tree with a circumeference of 25 cm in about four hours. A single family may cut down 300 small trees in one winter. They cut down the trees to build dams in the streams where they live.

I have a weakness for potato crisps, which are becoming increasingly refined in quality. I like the the latest "Kettle" crisps, or as the packet calls them in the American fashion "chips". Today I find a packet, which boasts: "Just potatoes UNDRESSED" and qualifies this titillating claim with the addition "LIBERATED potatoes". These paragons have no added salt. The list of ingredients reads: "Select potatoes, sunflower oil".

I go out of the front door to view the sunset. I try to identify the spectrum of colours: yellow, rose, pale green, eggshell blue set against a darkening mass of dark red roofs and chimneys, and grey, green and brown trees on the Common.

Vapour trails, herbs for pigeon, saudade

The blue sky, this bright, crisp winter day, is padded with small, white clouds and criss-crossed with vapour trails - a busy sky.

I cut a bay leaf and a few sprigs of thyme. They will flavour the sauce that will accompany our supper of pigeon breasts, mashed potatoes and cabbage.

I am much attracted to the Portuguese word saudade, which, a translator called A F G Bell, describes as " a vague and constant desire for something other than the present, a turning towards the past or towards the future; not an active discontent or poignant sadness but an indolent, dreaming wistfulness".

Frost, squirrels, red leaves

Frost, this morning, covered the hedges, stretches of grass seen from the window and the branches of trees, as though someone had been round with a praint brush.

When I was a nipper I remember having my attention drawn to a red squirrel in the wood at the bottom of our garden in Forest Row. It is a long time since red squirrels have been seen in the south of England, and now we learn that they are at risk in the Lake District and even Scotland, as the imported grey squirrel proves an increasingly succesful competitor. I am sorry about the reds, which are altogether cuter. But I can't help having a soft spot for the greys, when you see one, as I did this afternoon, turning a nut round in its paws and nibbling it, its little jaws pulsating with the effort of chewing.

The sun, from low down in the afternoon sky, catches the remaining leaves on top of a beach tree. They are a rich, dark, glowing red, the same colour as the chrysanthemums, which Heidi bought the other day from the stall by the station.

Last rowan berry, mussels, barker

All, or nearly all, the orange rowan berries have been stripped by birds. As I pass one of the rowans in Berkeley Road I see a blackbird with one berry in its beak: the last of the season?

A big bowl of steaming mussels at Sankey's. Instead of the white wine sauce with parsley, I choose a thai version, with a sauce using coconut milk, lemon grass and chili.

A little dog barking fruitlessly at a squirrel up a tree, and wandering off.

Chill, writing on the pavement, ivy

A refreshing chill in the air. This bright afternoon, the cold is a tonic after the unnatural warmth of the last few weeks.

Passing a glazed office door after dark, I see the name of the building, Mount Pleasant House, which is embossed on the glass, projected, by the light inside, in reverse letters on the pavement.

In the orange light of a sodium street lamp, ivy extending its leaves and tendrils over a wall, looks as though it has been drawn by a victorian artist, the edges of the leaves in hard outline and the green of the leaves translated into sepia shades.

Gold, dogs and leaves, shadows

Gold: that is the colour of the sky at the west end of the Grove this afternoon. No not a hint of red; nor of pink; none of that translucent green, you sometimes see at sunset. Just variations of gold surrounding the dazzling gold of the sun.

Two dogs play in the leaves. They snuffle and scuffle and chase each other through the rustling leaves. They seem to get the same sort of pleasure from the leaves that children do. But there is, surely, the added dimension of smell. The leaves must smell wondeful to dogs - of rot and corruption, and the last of the sap drying out.

As the sun gets lower in the sky, though it is still daylight, shadows seem to envelope the figures of people in the park. They seem two-dimensional and merge with the trunks of trees and shrubs as though camoflaged.

Correction

This blog inadvertently limited comments to "members". This has now been corrected. Comments and observations are as always welcome from all comers. Cheers.

White cliffs of Dover, loading booze, flocks of birds

From the top floor restaurant in Calais called Aquar' Aile, there is a spectacular view of the English Channel and the white cliffs of Dover. Eating a meal and watching the sun shining on the sea, and ferries passing "on urgent voluntary errands" is a delight.

Outside Wine and Beer World, the drinks supermarket at Coquelle outside Calais, I watch with vicarious pleasure, a group of jolly Englishmen loading their van with cases and cases of booze and sticking their golf clubs on top.

While we wait to drive on to the train for the tunnel, flocks of migrating birds fly in clouds of different shapes and sizes across the setting sun.

Oloroso, green juice, lottery forms

Oloroso sherry is naturally dry, and not, as a lot of people think, a sweet wine. At its best it has a nutty, fruity flavour that is addictive, and just right when winter begins to approach.

The juice of green vegetables: green pepper, brocolli, cucumber, celery, lettuce. It tastes of the country green, and looks like a summer meadow.

In Sainsbury's, two small boys collect lottery forms and hand them to their mother, who distractedly stuffs them into her shopping bag.

Singing mice, brocolli, ugh

Mice, according to a report in the National Geographic, are one of four mammals, which serenade their mates with a song. The others are humans, bats and whales. Because mouse songs are delivered at ultrasonic frequencies, no one( apart from other mice) seems so far to have noticed them.

I stand in the vegetable garden and look at the purple sprouting brocolli, which should produce purple heads in the Spring. It is protected by netting from marauding pigeons, which abound and have in the past stripped every leaf and sprout before I can go to the rescue.

Igittigit is a german expression of disgust, which has become part of my vocabulary on account of Heidi's frequent use of it - when the weather is foul, for example, or in response to a sticky mess on the floor. One German dictionary has it in its more usual form igitte. Another doesn't mention the word. I suppose you would translate it as ugh. But the german word strikes me as more effective, and pleasantly mild sounding.