Every day, for the last few days, when I push open the door to the vegetable garden, I look straight away towards the compost bins, and there, regularly, is the fox I mentioned a few days ago. His reaction is now almost the same every time. He jumps off the heap in a slightly guilty manner, but never seems unduly hurried. He trots towards the far corner of the garden, and before he reaches the fence, he stops, turns, and with one foot raised, stares at me. Today I try to speak in body language to him: instead of staring back, I look away and walk in the opposite direction to the one he is taking. He stays longer, but decides in the end to move on.
Yesterday's mush of cooked quinces has dripped through the jelly bag and left a delicate amber liquor ino the bowl beneath. Boiling this up with preserving sugar and decanting the hot jelly into jars is a pleasure; even greater is the pleasure of contemplating the set jelly in the jars neatly labeled, with the scent of quince still in the air.
During the summer, I picked up one of the previous autumn's acorn cups. Today I found one of this autmn's in its full splendour. The cup belongs to a variety, which spreads outwards and curls round so that it resembles a head of stylised hair. Placed on the white page of my notebook it casts a shaddow even more interesting than iteself.
1 comment:
This tale of quinces and acorns seems to build on the theatre idea which comes in a later post of leaves falling onto a stage. The acorn too is an echo - this time of the puppets who perform by casting their shadows on a screen.
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