Showing posts with label translation. Show all posts
Showing posts with label translation. Show all posts

Monday, December 13, 2010

rowan, smile, cards


Posted by PicasaPigeons, like this one, have  now stripped all the berries from the rowan trees. The leaves, too, have finally succumbed to wind, frost and snow. It seems only a few days ago that I took this photograph.

As I walk down Mount Sion I see a woman coming up the hill towards me. She is carrying a bag of shopping in either hand. I don't think I know her. But her smile, which probably mirrors mine, says: "I don't think I know you, but it is a time of year, when a faint smile is in order as you pass in the street, on a cold damp afternoon, as the doors in Advent calenders open, in the weeks before Christmas,

An alternative to translating a poem, is to write another and to use the term "after" in the title. This thought is prompted by  a poem called A Herbal by Sheamus Heaney "after Guillevic's Herbier de Bretagne. I knew nothing of Guillevic who was a  French poet better known in France than in England. I, for one hadn't heard of him. It is through  Lucy Kempton, to whom I mention the Heaney poem that I owe the knowledge that Guillevic died only recently.  For all I knew he might have been a medieval herbalist. I am assuming now  that the Herbier is in fact a poem rather than a herbal but, while I plan further research when there is time, I am becoming increasingly fond of the Heaney poem. Good things come from translation and well...from acknowledged  imitation.

Monday, March 05, 2007

applause, correcting, haiku

Pigeons rise in a small flock from a roof top. Their wings clap like a burst of applause.

I tend to do my daily sudoku with a pen. This makes me all the more careful not to make mistakes, and adds a little spice to the game. But if I do make a mistake there is correction device called Pritt, which rolls a thin film of quick-drying correcting material over the error. A cheat's last resort.

I have a little book of Haiku by Basho, one of the great Japanese masters of the form. Although haiku are generally written in lines of five, seven and five syllables (seventeen in all), because these are translations, and probably quite literal, they are presented in even briefer lines. eg
From the heart
of the sweet peony
a drunken bee.
I would not like to think that this absolves those who attempt haiku in English from the classical seventeen syllable form. Bit I do think that the staccato sound of the shorter lines does have a charm of its own probably closer to the Japanese sounds.